Saturday, July 4, 2015
Cameron Anstee has a new poem up on the Flat Singles Press blog, as does Pearl Pirie; Jordan Abel has some new work in The Rusty Toque #8; and Lary Bremner writes on the late Jamie Reid on The Capilano Review blog.
Monday, June 29, 2015
17 years ago I published my first chapbook. A collaborative edition with a then friend in Brampton, Ontario, William S. Burroughs: Ghost of Steel was produced in an edition of 26 signed copies. Each page was designed and laid out in MS Publisher, printed at home, folded and inserted in to hand-printed covers and sewn using needle and thread. Most copies were given away, I haven’t seen one in years.
That same format – printed at home, folded and assembled by hand, sewn and given away – has remained my modus operandi ever since. William S. Burroughs: Ghost of Steel was became the first of 268 editions that I published through the housepress imprint, followed by over 250 more under No Press.
For seventeen years I’ve averaged a publication every two weeks – each one made by hand as a means of distributing the news to a fluctuating community of readers.
The Calgarian writing community has had a fluctuating relationship with small press publishing – there have been some beautiful editions from ryan fitzpatrick’s ModL Press, Christian Bök’s CrO2 Press, Natalie Simpson’s edits all over press, Paul Zits’s 100 têtes press (and many others) – but I am surprised there aren’t more.
In my opinion writing is a public act, we must learn (even the most introverted of us) to share our work with a readership. See our work as worth sharing, our voices as worth hearing. It doesn’t have to be a huge public gesture; it could 10 copies among friends. Share.
There are a growing number of online print-on-demand publishers like Lulu and Blurb, and many photocopy shops will do collation and binding – but those are far from the only options. Anyone who has a desktop printer or access to a photocopier (or a typewriter, or a silkscreen or rubberstamp letters or any number of intriguing possibilities) can produce her own work. Paper, printer, stapler, scissors.
A challenge to my peers: publish your own work. Start a small press. Find the material that your colleagues are making that impresses you and publish it in pamphlets, in leaflets, in chapbooks and broadsides, posters and ephemera.
It is all too easy to rely on other people to do the work for you – to allow the means of distribution to remain with book publishers, magazines and journals. Small press builds community through gifts and exchange, through consideration and generosity, through the creative interplay and dialogue with each other’s work.
Small press publishing allows authors to present their work in a way that physically responds to the content – texture, size, shape, colour and binding all become aesthetic decisions that the author herself can shape.
The internet is rife with instructions on how to hand bind books. Make stuff, hand it out, talk to people. The best advice I have is give ‘er
by derek beaulieu
above/ground press broadside #333
Dr. Derek Beaulieu is the author or editor of 16 books, the most recent of which are Please, No more poetry: the poetry of derek beaulieu (Wilfrid Laurier University Press, 2013) and kern (Les Figues press, 2014). He is the publisher of the acclaimed no press and is the visual poetry editor at UBUWeb. Beaulieu has exhibited his work across Canada, the United States and Europe and is an award-winning instructor at the Alberta College of Art + Design. He is the 2014-2016 Poet Laureate of Calgary, Canada.
Saturday, June 27, 2015
rob mclennan has a poem, originally posted in the print edition of Literary Review of Canada, now online as part of their newly-revised website; an article on legendary Ottawa poet William Hawkins now lives online at Apartment 613, as does an article on N.W. Lea (the artist formerly known as Nicholas Lea); and Elizabeth Robinson is interviewed over at Touch the Donkey.
Thursday, June 25, 2015
Ryan Pratt was good enough to review Karen Massey's Strange Fits of Beauty & Light (2014) over at the ottawa poetry newsletter. Thanks much! You can see the original review here. This is actually the second review of Massey's chapbook, after Ronnie R. Brown reviewed it over at Bywords.ca.
Saturday, June 20, 2015
Gary Barwin has some new work posted at h&, and is interviewed over at the Hamilton Arts Council website; a new interview with derek beaulieu now lives on the ottawa poetry newsletter, and he guest-blogs on running a small press; Lisa Robertson has a new poem up at Literary Hub; and Amanda Earl responds to some work by Emily Carr.
Friday, June 19, 2015
above/ground press will be represented (so to speak) in New York City as part of a Tightrope Books event! See here for information on Wanda O'Connor's damascene road passaggio, selections (2013) and George Elliott Clarke's Selected Canticles (2012), both of which are very much still available (although both in rather limited numbers).
Best Canadian Poets and Authors from Tightrope Books
June 24, 2015
KGB Bar, 85 East 4th Street, New York NY
7:00 pm - 9:00 pm
Join poets from The Best Canadian Poetry series and authors from Tightrope Books for an evening of Canadian writing featuring George Elliott Clarke, Megan Fernandes, Aaron Kreuter, Sonnet L’Abbe, Kateri Lanthier, Ken Murray, Wanda O’Connor, Medrie Purdham, Brent Raycroft and Carl Watts.
Saturday, June 13, 2015
kevin mcpherson eckhoff has a new piece up at NewPoetry; Jordan Abel is interviewed over at the podcast Can't Lit; nathan dueck is interviewed over at The Town Crier; The 2015 Leslie Scalapino Lecture in Innovative Poetics, delivered by Lisa Robertson at UC Berkeley on April 24th 2015, is now online: "A Form of Sentences: Speaking with the Dead or Grammar is Not Abstract" (A talk on Leslie Scalapino's Defoe, and sentences generally); and rob mclennan has a new poem up at Monday Night Lit.